Claire Lynch in East Hartford January 9 - Preview

Claire Lynch

The Clair Lynch Band will appear at the East Hartford Cultural Community Center in East Hartford, CT on Friday, January 9^th. Doors open at 7:00 PM, and the concert begins at 8:00. Tickets are pegged at $15.00 in advance and $20.00 at the gate, and plenty of seats are still available. The band, a quartet whose bluegrass sound is laced with a delightful variety of musical signatures, is noted for its musicality and its excellence. Roger Moss, Director of Parks and Recreation in East Hartford, CT promotes a series of Americana events as a part of the East Hartford Community Cultural Center winter program of concerts and films. Roger tells me the concert hall seats 298 without a bad seat in the house and featuring outstanding acoustics. Easy parking for the event is available and the hall is just off an interchange of I-84. Directions to the East Hartford Cultural Center can be found here. Tickets can be ordered on line here.

With two feet planted firmly in bluegrass, Claire Lynch’s interests and versatility take her comfortably into country, Americana with a tinge of jazz, swing, and blues in her compositions and her performances. Her career, spanning thirty-five years, includes stints with several bands and working as a house singer/songwriter with Universal-Polygram where her name appears on 160 projects, if I’m counting right. She’s been nominated for a couple of Grammies and was named IBMA Female Vocalist of the Year in 1997. Many of her songs are immediately familiar to bluegrass fans as is her youthful, clear, and expressive voice. Her signature songs include the recent hit “The Day that Lester Died,” “Hills of Alabam’”, and the yearning “Kennesaw Line.” Her version of “Wabash Cannonball” gives the entire band a chance to strut its stuff while always staying true to the great country original made famous by Roy Acuff.

Spending the early part of her life in Kingston, NY, Claire Lynch moved to Alabama at age twelve. She worked with a band, took time off to raise a family, and along the way worked as a song writer and session vocalist. Her songs have been recorded by Patty Loveless, Seldom Scene, Kathy Mattea, and the Whites, while she has appeared on albums with EmmyLou Harris, Dolly Parton, Linda Ronstadt, and others. She achieved prominence with the Front Porch String Band, which, after a time, disbanded as bluegrass bands do, and later founded the Claire Lynch Band with many of the same members. Recently, her kids grown and fledged, she has moved to Nashville for the convenience of being in the center of the music scene. While there have been changes in personnel, the current band is as strong as any she has had.

Jim Hurst

Jim Hurst, a long-time band mate, is one of the monster guitar pickers in music as well as being a fine banjo player. Hurst, while active in music, for many years had to continue providing for himself and his family as a truck driver. When his wife urged him to move to Nashville and take on music full time, they did and he did. Jim Hurst was named IBMA guitar player of the year in 2001 and 2002. His career had been broad and varied with stints in jazz, country, and bluegrass. Hurst is not merely a spectacular guitar player, he’s spectacularly tasteful, too, reflecting his debt to Doc Watson as well as to Tony Rice. Jim is on his second go round with Claire, having taken a period to tour and record with Missy Raines to high critical and popular praise, before they both returned to the Claire Lynch Band. Missy has since left the band again to form Missy Raines and the New Hip.

Jim Hurst

Mark Schatz

To replace Missy Raines, Claire has turned to two time IBMA bass player of the year, Mark Schatz. A graduate of Haverford College in suburban Philadelphia with additional study at Berklee College of Music in Boston, Schatz has had a distinguished career in bluegrass, acoustic, and country music on acoustic and electric bass. He’s played with Bela Fleck as well as the Tony Rice Unit. He played bass with Nickel Creek until they disbanded and has since been touring with the Claire Lynch Band. On stage, Mark is a dynamic figure in his bass play as well as when he steps out from behind his instrument to clog. As musical director of the Footworks Percussive Dance Ensemble, an internationally acclaimed dance group, he has many outlets for his creative urge.

Mark Schatz

Jason Thomas

Jason Thomas, on mandolin, fiddle, and vocals, brings an added versatility to the band. Born in North Bay, Ontario, Jason has been based in Florida as a full-time musician since finishing college in Missouri. In addition to his work with the Claire Lynch Band, Jason plays with several bands in Florida. His play on both mandolin and fiddle adds enormously to the strength and versatility of the band. He’s a quiet yet dynamic presence in this very strong band.

In a telephone interview, Claire spoke expressively and enthusiastically about her band, its personnel, and the joy she takes in performance. All these qualities are clearly evident in this fine band. Friday, January 9^th might be chilly outside, but the concert hall at the East Hartford Cultural Community Center will be warm and filled with joyous song provided by these dynamic performers. Don’t miss it.

Getting the Most from Merlefest - Preview

Watson Stage

What’s your roots music taste? Do you want to see old favorites, new discoveries, or some of each? Would you prefer to get your music in more or less intimate settings, or don’t you mind big crowds? Do you want it traditional or progressive, mountainy or rocky? Just about the only constant, and now-a-days not even that, at Merlefest is that it’s an acoustic music festival. Beyond that, it’s your choice. Merlefest, to be held in Wilkesboro, NC from April 24 – April 27 this year, is easily the largest festival held in the east by any standard. Daily attendance approaches 20,000. Thirteen different sound stages. Hundreds of performers. Dozens of vendors. Every camping space and motel/hotel room within fifty miles filled. The very top names in acoustic and bluegrass music performing. It’s all there at Merlefest. With all this size and diversity, the question arises, “How can I get the most out of my Merlefest experience?” This post is designed to help you do just that.

Gospel Jubilators on Cabin Stage

Planning - The best source for planning and managing your time at Merlefest remains the Merlefest web site. Once both a resource and a more-or-less open forum, the web site has changed in recent years, eliminating the lively message board it once carried. This has been, at least partially, replaced by The Unofficial Merlefest Forum, which provides for the discussion, but loses out because it hasn’t yet attracted the large group once posting at the Merlefest home site. Despite this loss, the official site of this great festival still provides most of the information you need in order to plan your four days in Wilkesboro.

Scene at Creekside Stage

Where to Stay – During our first four years at Merlefest, we stayed on campus in our trailer. Last year, when they raised the price, we migrated out to Fort Hamby on W. Kerr Scott Reservoir outside town. It worked for us. There are other campgrounds in the area, but by this time they are pretty well filled. The Merlefest web site gives a good overview of these. Unless you’re very lucky, you won’t find a motel room in the area, and if you do, it’ll be quite expensive. For next year, make your reservations early.

Doc Watson at Creekside

Seeing What You Want and Getting Around - Your first task, and do it today, is to download and print the Merlefest Schedule. Once you arrive at Merlefest, the pocket guide the festival provides will become your best friend, but until then you can use these Adobe PDF documents as a tool to guide your planning. The pocket guide will also be accompanied by a large, elaborate, and useful festival program describing all the performers as well as detailing the vendors and their locations. Until you get this booklet in your hands, the 2008 line-up will have to do. This listing has the advantage of providing links to most of the artists performing at Merlefest, allowing you to research them to your heart’s content and listen to samples of their music. Since one of the great joys of Merlefest is being introduced to new bands and sounds, this resource shouldn’t be overlooked. You can also find a festival map here. This recently updated map provides a much more accurate picture of the Wilkes Community College campus than earlier versions. The only missing element is a sense of the geography of the place, and this is important. At Merlefest you’ll do a lot of walking and climbing. The campus is quite hilly, the hills are steep, and two important stages (Walker Center and Hillside) require quite a hike. The final important resource is a list of stages. Click on stages on the Merlefest home page and you’ll be provided a list of each stage at the festival. Select each one and read about its focus. I’d prefer a more elaborate discussion, but combined with the map and the artists list, this link is helpful. Remember the reserve seating section at Watson Stage is open until 5:00 PM. Just go in and sit in an empty seat. If the owner returns, move somewhere else. Some people with strong bladders manage to stay inside into the evening, but once you leave, you won't get back. Once you have these resources in hand, you can begin to chart out a tentative schedule. But remember what Don Rigsby sang, “If you want to make God laugh, make a plan.”

Sam Bush's Annual Jam

Dressing for Merlefest is an important consideration. Remember a few things. It always rains at Merlefest. You won’t know when or how much, but count on rain. No matter how warm, sunny and pleasant the day is the evening is likely to be cool or even cold. The Watson Stage is set on a flat plain surrounded by steep hills. As the sun sets, cooling air begins to roll down from the hillsides and settle onto this main performance area. By nine or ten in the evening, everyone wishes they had more and warmer clothing. Bring several layers of clothes with you, including a fresh, dry, warm pair of socks. Remember that keeping your feet and head warm increases your chance of keeping the rest of you warm. As the evening progresses, layer up to stay warm. In the bottom of your pack, make sure you have a nylon shell to ward off dampness in either its drifting or falling form.

Reserve Seats at Watson Stage

Eating at Merlefest - A couple who have sat three rows in front of us ever since we began coming to Merlefest always carry a lot of food in with them. I suspect, in addition to hors d’oerves, they have the forbidden cocktails in a thermos. They carry fruit, salads…all they need for the day. Our seat neighbors always bring sandwiches as well as plenty of snacks with them. Both ways work well. We do some of that, too. However, we also believe in doing what we can to support the vendors at the festival. The massive food tent, to the left of the Watson Stage, offers a range of foods from hamburgers and hot dogs, through barbecue, to Thai, Italian, and Indian specialties. Meals are tasty and reasonably priced. There’s one problem: at meal times the lines are long and seats at the nearby tables are scarce. The best way to shorten your wait in line is to eat at off hours or during the performances of big headliners. You can hear from the food tent and see the huge television screen, and the lines seem to be shorter. Last year, several vendors of snack foods like hot dogs, hamburgers, and the ever popular funnel cakes were spread around the grounds. There were still long lines. I’ve been told that this year the festival has worked with vendors to increase efficiency and staffing at high traffic periods. They’ve also worked to make pick-up foods like hot dog, hamburgers, pizza, and ice-cream more available in high traffic areas. Coffee will be brewed on-campus making it more quickly available in larger quantities. Merlefest leadership is aware of the problems and has worked hard to alleviate them.

The Great Tut Tayler - Honoring the Pioneers

Chances to connect with band members are smaller, briefer, and less intimate than at typical festival settings. Merlefest is too large and complex for much meeting and greeting or shake and howdying. If you want to get to know members of a band, this isn’t the place, but you can say hi and get autographs either at scheduled signings at the entrance to the Watson Stage or get a chance for somewhat closer contact at the smaller stages spread about the campus. The map, the schedule, and the stage descriptions, taken together, will help you make these choices. It’s not as frequent at Merlefest as at other festivals to see band members around the grounds, but that happens sometimes, too. Often, however, they seem to be with friends and give off a vibe of preferring not to be interrupted.

The Little Pickers Tent

Instrument contests and the Chris Austin song writing contest are central elements of Merlefest. The recognition coming to a musician who wins an instrument contest or the visibility a songwriter gains from having a song sung from the cabin stage can serve as important boosts to a career. Contest winners get to sing their songs from the Cabin Stage on Saturday night, and it’s a pretty big deal. Sometimes you hear new songs that end up in major albums a year or so later. Lorraine Jordan had a song take second place a couple of years ago. Grasstowne selected “Devil’s Road” which Brink Brinkman won with for recording and performance. It’s a great showcase. Another feature of Merlefest is the organized jams happening almost every day. These jams bring musicians from different bands, but often with a musical affinity, together for an extended extemporaneous performance. Last year, at one point, the members of New Grass Revival were on stage at once for the first time in years. Such jams take place at a variety of stages. Another opportunity to see musicians jamming occurs at the area sponsored by the Wilkes Acoustic Society both during the festival and during the three evenings preceding it.

Earl Scruggs and Doc Watson on Stage

I thought maybe I’d put up a list of bands I particularly wanted to see and hear during Merlefest. I went through the 2008 Merlefest lineup, looked at my choices, and decided they were mine. Merlefest is actually 20,000 different festivals each day. As such, it’s up to each person who attends to decide who they want to see, and how much effort they want to make to see them. I showed the list to my wife and her concern was our ability to stay in touch when not at the same performance. Lots of people carry walkie talkies. I recommend not bringing them and relying on cell phones instead. There are just too many people clogging up too few channels to make the family radios very good communications tools. Be sure, however, to keep your cell phone on vibrate so your ring tone doesn’t bother others.

Evening Jam on Watson Stage

In the end Doc Watson and his friends established and maintain the spirit of Merlefest. The festival is a celebration of his son Eddie Merle, but it’s a recognition of Doc’s accomplishments, his taste, and his friends. As long as that remains, the festival will continue to be one of the great musical events in America. Doc’s spirit pervades the entire event.

Annual Sand Sculpture

For a different perspective focused on specific musicians and coming from a somewhat differently nuanced place, read Derek Halsey’s Merlefest Preview here.

Merlefest's Heart - Doc Watcon

How to Survive Merlefest

Merlefest!! For music lovers of a certain type, the name raises hopes and challenges the imagination. Ask someone along the festival trail if they’ve ever been to Merlefest and more often than not you get a response that suggests wonder, a little fear, concern about the crowds, concern about the expense, eagerness to attend. More people have heard about Merlefest than have attended it. Merlefest 2007 will be our fifth consecutive Merlefest. It represents the single most expensive and engaging week in our entertainment calendar. Each year we are introduced to musicians we have never heard of or never seen and reunited with some of our favorites. Unlike smaller, more intimate and informal festivals we attend, there is much less opportunity to interact with the performers. You don’t get a chance to hang out with people artists you’d like to know better. All that being the case, we still purchase our tickets the day they go on sale and plan our travel year around Merlefest.

First established in 1988 as a memorial to the legendary Doc Watson’s son Merle, who had been killed in a tractor accident the year before, Merlefest started as a modest event on a flatbed trailer with some bales of hay thrown around for people to sit on. Merle’s friends, friends like Sam Bush, Jerry Douglas, Tim O’Brian, T. Michael Coleman, John Cowan, and many others came together to sing and pick in memory of Merle. Now, twenty years later 80,000 admissions (average of a little over 20,000 per day) show up to hear the icons of Americana music, enjoy the scene, and depending on where they stay, to jam ‘til all hours. If 20,000 people are on campus at Wilkes Community College at any one time, there are probably 20,000 different Merlefests. Let’s see if we can bring some sense into how to get the most out of this mammoth festival.

Merlefest is held on the campus of Wilkes Community College in Wilkesboro, NC in the foothills of the Appalachian range of mountains. It is held the last weekend in April. Weather conditions in the hills are unreliable. It can be quite hot in the sunshine or cold and raw. One thing is almost certain, evenings at the main stage, the Watson stage, can be really cold. Come prepared each day for a full range of temperature and wetness. The college campus is hilly and the twelve sound stages are located all over campus. Hillside is at the top of the campus, but at the bottom of a steep hill providing excellent seating for viewers. Creekside stage is behind the main stage along a creek. It, too, accommodates large crowds and important concerts are scheduled there. The main stage, Watson, dominates the campus. It dominates the flat lower part of the main campus with its sixty rows of reserved seats and a seemingly endless grass field behind them where those without reserved seats set up what become almost camp sites.

Merlefest and Wilkes Community College are serious about alcohol and drugs on campus and security is tight. People at every gate you come through inspect carry-in backpacks, purses, camera bags, and such. They’re looking for alcohol and drugs and very little gets through. In our years of attending this festival, we’ve seen almost no drunks and have seldom smelled the aroma of weed. This leads some people to complain about too many rules and intrusive security. Some people complain the Merlefest is a “police state.” The best way to keep from feeling injured is to obey the rules. The net effect for those attending the festival is that people are well-behaved and young parents don’t have to explain other people’s behavior to their kids. Every day this campus becomes a large community of music lovers who can enjoy themselves without having their enjoyment intruded on by drunks and stoners.

Don’t let the reserved seats intimidate you. Until five in the afternoon, all seats in the reserved section of Watson stage are open to anyone who wishes to sit in them, unless the owners of the seat claim them, whereupon, users just move to another seat. Some people, with strong bladders, have been known to enter the reserved area around 4:00 in the afternoon and, by nimbly changing seats, stay until the evening ends. Of course, if they leave to eat or relieve themselves, they can’t get back in. Reserve seats for new subscribers go on sale around November 1^st. We got our by going on-line the minute the box office opened, asking for best available seats, and scored in the twentieth row. We intend to keep our seats and leave them to our children in our wills.

If you’re going to Merlefest to get your fill, assuming that’s possible, of a specific band like Donna the Buffalo, Blue Highway, or Sam Bush, Jerry Douglas, John Cowan, or you name it, you’ll need to be prepared to move about the campus. Performers move from Hillside to Creekside, to Walker Center (a lovely indoor theater), to the Ameriana stage, to Watson Stage and you’ll need to move with them. The other alternative is to restrict your movement, enlarge your interests, and wait for your favorite bands to come to you. There are other stages for people with specific interests. The Traditional Stage features a variety of traditional bluegrass, old-time music, hymn singing with shaped notes, and clogging. The Austin Stage, a small stage shoehorned in between two classroom buildings under cool trees is an intimate place where you can hear lots of blues. Choose your poison and you’re likely to find it at Merlefest.

Merlefest is the major fund raising event for every community group in Wilkes County. Under one long tent a range of foods from Pad Thai to barbecued chicken is available. You can order a full meal or a hot dog. You can have a funnel cake if you haven’t had enough of them elsewhere, or you can avoid them and eat healthy. Eating well and happily is, as usual, a matter of timing. To avoid horrendous lines at the food booths, eat away from meal times. Eat lunch at ten or two, dinner at four or seven and you’ll find seats and not wait in line too long. But remember, these food booths are important to the community and you’ll know you’ve supported worthy causes rather than small time traveling entrepreneurs.

Vendors, vendors everywhere, but they’re only where you want them to be and you have to go to them to take advantage of what they have to offer. This year the vendors’ village has been moved to create more green space. I have no idea what that means, but it suggests that you’ll have to do more walking to get to the dozens of independent vendors hawking everything from tie-dies to instruments, stained glass to wooden bowls, juggling kits to jump ropes. There’s lots of choice, and while you will find the usual pre-packaged Chinese imports you see at other festivals and flea markets, careful shopping can net you some interesting and unusual purchases.

Three other shopping venues add to the opportunities. The craft tent has juried crafts people selling a variety of high quality crafts including hand made boots, brooms and brushes, several kinds of wonderful bowls, hand made instruments, and other choices. It’s worth a walk through this tent just to appreciate the art. We’ve bought several turned burl bowls through the years and treasure them at home. The music tent sells CDs and other merchandise from all artists appearing at the festival. This tent is sponsored by the Wilkes County Chamber of Commerce and they add a hefty $3.00 charge to the usual $15.00 you pay to support musicians at other festivals. Furthermore, your opportunities to get the CDs signed are limited as there are long lines and short appearances by the artists. Sometimes you get lucky. Finally, there’s a sales tent on the path between the Watson Stage and the Creekside stage which you shouldn’t miss. This tent is where the major instrument manufacturers show their wares and allow you to demo them to your heart’s content. Deering, Ome, Nechville, First Quality Music and other manufacturers have booths. Just outside, Gibson has a large trailer. It’s like being let loose in a chocolate factory.

Accommodations in Wilkesboro offer several choices. Almost all motel rooms are spoken four years in advance and at exorbitant prices. There are several campgrounds available. Closest to the campus is River’s Edge where there is tent camping and round the clock jamming. Another place well-know for jamming and having places for larger RVs is a camp ground near the city’s water purification plant and dubbed “Sewer Fest.” People who stay there love it. The Kerr Reservoir west of town is a Corp of Engineers impoundment with a number of campgrounds around it. The Merlefest web site describes the various venues and you can get more information from the bulletin board on the Merlefest site. At one time there was a large parking lot and hillside on campus that was used for camping at a cost of $150 per site. This space has been reduced and the price increased to $400 dollars without any hookups. The best way is to either show up at River’s Edge or make your reservations early. I gather the scene at River’s Edge is loose and friendly. The younger crowd which inhabits this area seems to enjoy it a lot. Us older folks prefer something more tame.

There’s lots more – a place to take a much needed nap in the shade; a massage tent; Alberti’s flea circus; the Little Pickers tent for kids; jammers tents; a display of raptors; sand sculpture; and a garden of meditation in memory of Merle Watson, which brings us back to where we started. At any venue you’re likely to see and hear Doc Watson, the legendary blind mountain folk song singer who came to prominence at folk festivals in the sixties and continues to sing and pick like a wizard at age 83. The spirit of Doc Watson pervades this wonderful festival. You’ll leave on Sunday afternoon exhausted and exhilarated and waiting for next April to come around.