Showing posts with label festivals. Show all posts
Showing posts with label festivals. Show all posts

Thursday, April 03, 2008

Getting the Most from Merlefest - Preview

Watson Stage
What’s your roots music taste? Do you want to see old favorites, new discoveries, or some of each? Would you prefer to get your music in more or less intimate settings, or don’t you mind big crowds? Do you want it traditional or progressive, mountainy or rocky? Just about the only constant, and now-a-days not even that, at Merlefest is that it’s an acoustic music festival. Beyond that, it’s your choice. Merlefest, to be held in Wilkesboro, NC from April 24 – April 27 this year, is easily the largest festival held in the east by any standard. Daily attendance approaches 20,000. Thirteen different sound stages. Hundreds of performers. Dozens of vendors. Every camping space and motel/hotel room within fifty miles filled. The very top names in acoustic and bluegrass music performing. It’s all there at Merlefest. With all this size and diversity, the question arises, “How can I get the most out of my Merlefest experience?” This post is designed to help you do just that.

Gospel Jubilators on Cabin Stage

Planning - The best source for planning and managing your time at Merlefest remains the Merlefest web site. Once both a resource and a more-or-less open forum, the web site has changed in recent years, eliminating the lively message board it once carried. This has been, at least partially, replaced by The Unofficial Merlefest Forum, which provides for the discussion, but loses out because it hasn’t yet attracted the large group once posting at the Merlefest home site. Despite this loss, the official site of this great festival still provides most of the information you need in order to plan your four days in Wilkesboro.

Scene at Creekside Stage

Where to Stay – During our first four years at Merlefest, we stayed on campus in our trailer. Last year, when they raised the price, we migrated out to Fort Hamby on W. Kerr Scott Reservoir outside town. It worked for us. There are other campgrounds in the area, but by this time they are pretty well filled. The Merlefest web site gives a good overview of these. Unless you’re very lucky, you won’t find a motel room in the area, and if you do, it’ll be quite expensive. For next year, make your reservations early.

Doc Watson at Creekside

Seeing What You Want and Getting Around - Your first task, and do it today, is to download and print the Merlefest Schedule. Once you arrive at Merlefest, the pocket guide the festival provides will become your best friend, but until then you can use these Adobe PDF documents as a tool to guide your planning. The pocket guide will also be accompanied by a large, elaborate, and useful festival program describing all the performers as well as detailing the vendors and their locations. Until you get this booklet in your hands, the 2008 line-up will have to do. This listing has the advantage of providing links to most of the artists performing at Merlefest, allowing you to research them to your heart’s content and listen to samples of their music. Since one of the great joys of Merlefest is being introduced to new bands and sounds, this resource shouldn’t be overlooked. You can also find a festival map here. This recently updated map provides a much more accurate picture of the Wilkes Community College campus than earlier versions. The only missing element is a sense of the geography of the place, and this is important. At Merlefest you’ll do a lot of walking and climbing. The campus is quite hilly, the hills are steep, and two important stages (Walker Center and Hillside) require quite a hike. The final important resource is a list of stages. Click on stages on the Merlefest home page and you’ll be provided a list of each stage at the festival. Select each one and read about its focus. I’d prefer a more elaborate discussion, but combined with the map and the artists list, this link is helpful. Remember the reserve seating section at Watson Stage is open until 5:00 PM. Just go in and sit in an empty seat. If the owner returns, move somewhere else. Some people with strong bladders manage to stay inside into the evening, but once you leave, you won't get back. Once you have these resources in hand, you can begin to chart out a tentative schedule. But remember what Don Rigsby sang, “If you want to make God laugh, make a plan.”

Sam Bush's Annual Jam

Dressing for Merlefest is an important consideration. Remember a few things. It always rains at Merlefest. You won’t know when or how much, but count on rain. No matter how warm, sunny and pleasant the day is the evening is likely to be cool or even cold. The Watson Stage is set on a flat plain surrounded by steep hills. As the sun sets, cooling air begins to roll down from the hillsides and settle onto this main performance area. By nine or ten in the evening, everyone wishes they had more and warmer clothing. Bring several layers of clothes with you, including a fresh, dry, warm pair of socks. Remember that keeping your feet and head warm increases your chance of keeping the rest of you warm. As the evening progresses, layer up to stay warm. In the bottom of your pack, make sure you have a nylon shell to ward off dampness in either its drifting or falling form.

Reserve Seats at Watson Stage

Eating at Merlefest - A couple who have sat three rows in front of us ever since we began coming to Merlefest always carry a lot of food in with them. I suspect, in addition to hors d’oerves, they have the forbidden cocktails in a thermos. They carry fruit, salads…all they need for the day. Our seat neighbors always bring sandwiches as well as plenty of snacks with them. Both ways work well. We do some of that, too. However, we also believe in doing what we can to support the vendors at the festival. The massive food tent, to the left of the Watson Stage, offers a range of foods from hamburgers and hot dogs, through barbecue, to Thai, Italian, and Indian specialties. Meals are tasty and reasonably priced. There’s one problem: at meal times the lines are long and seats at the nearby tables are scarce. The best way to shorten your wait in line is to eat at off hours or during the performances of big headliners. You can hear from the food tent and see the huge television screen, and the lines seem to be shorter. Last year, several vendors of snack foods like hot dogs, hamburgers, and the ever popular funnel cakes were spread around the grounds. There were still long lines. I’ve been told that this year the festival has worked with vendors to increase efficiency and staffing at high traffic periods. They’ve also worked to make pick-up foods like hot dog, hamburgers, pizza, and ice-cream more available in high traffic areas. Coffee will be brewed on-campus making it more quickly available in larger quantities. Merlefest leadership is aware of the problems and has worked hard to alleviate them.

The Great Tut Tayler - Honoring the Pioneers

Chances to connect with band members are smaller, briefer, and less intimate than at typical festival settings. Merlefest is too large and complex for much meeting and greeting or shake and howdying. If you want to get to know members of a band, this isn’t the place, but you can say hi and get autographs either at scheduled signings at the entrance to the Watson Stage or get a chance for somewhat closer contact at the smaller stages spread about the campus. The map, the schedule, and the stage descriptions, taken together, will help you make these choices. It’s not as frequent at Merlefest as at other festivals to see band members around the grounds, but that happens sometimes, too. Often, however, they seem to be with friends and give off a vibe of preferring not to be interrupted.

The Little Pickers Tent
Instrument contests and the Chris Austin song writing contest are central elements of Merlefest. The recognition coming to a musician who wins an instrument contest or the visibility a songwriter gains from having a song sung from the cabin stage can serve as important boosts to a career. Contest winners get to sing their songs from the Cabin Stage on Saturday night, and it’s a pretty big deal. Sometimes you hear new songs that end up in major albums a year or so later. Lorraine Jordan had a song take second place a couple of years ago. Grasstowne selected “Devil’s Road” which Brink Brinkman won with for recording and performance. It’s a great showcase. Another feature of Merlefest is the organized jams happening almost every day. These jams bring musicians from different bands, but often with a musical affinity, together for an extended extemporaneous performance. Last year, at one point, the members of New Grass Revival were on stage at once for the first time in years. Such jams take place at a variety of stages. Another opportunity to see musicians jamming occurs at the area sponsored by the Wilkes Acoustic Society both during the festival and during the three evenings preceding it.

Earl Scruggs and Doc Watson on Stage
I thought maybe I’d put up a list of bands I particularly wanted to see and hear during Merlefest. I went through the 2008 Merlefest lineup, looked at my choices, and decided they were mine. Merlefest is actually 20,000 different festivals each day. As such, it’s up to each person who attends to decide who they want to see, and how much effort they want to make to see them. I showed the list to my wife and her concern was our ability to stay in touch when not at the same performance. Lots of people carry walkie talkies. I recommend not bringing them and relying on cell phones instead. There are just too many people clogging up too few channels to make the family radios very good communications tools. Be sure, however, to keep your cell phone on vibrate so your ring tone doesn’t bother others.

Evening Jam on Watson Stage
In the end Doc Watson and his friends established and maintain the spirit of Merlefest. The festival is a celebration of his son Eddie Merle, but it’s a recognition of Doc’s accomplishments, his taste, and his friends. As long as that remains, the festival will continue to be one of the great musical events in America. Doc’s spirit pervades the entire event.

Annual Sand Sculpture
For a different perspective focused on specific musicians and coming from a somewhat differently nuanced place, read Derek Halsey’s Merlefest Preview here.

Merlefest's Heart - Doc Watcon

Monday, August 13, 2007

Lake Champlain Bluegrass Festival - Review

On a sunny Saturday morning we drove north through the Adirondack high peaks and emerged onto the flats of Lake Champlain heading up I-87 to the very edge of New York. A few hundred yards short of the border we turned right and crossed the bridge into Vermont. Soon we saw a mass of huddled RVs in the midst of a large field. We drove in, exchanged our tickets for wrist bands and were carried on a golf cart to the stage area where we set up our chairs and looked around. This sort of service, the golf carts, is typical of the attention to detail and friendly environment of this sixth edition of the Lake Champlain Bluegrass Festival. Because of a dog sitting responsibility, we had missed the great Rhonda Vincent’s performance the night before, but other than missing her, the Saturday lineup offered two great headliners and almost all the other regional and local bands appearing.

This festival, while it takes place in the middle of a field with no appreciable shade, is well laid out, roomy, and people friendly. Promoter Steve Palmer, with the able assistance of Rich Kendall as well as a personable and enthusiastic staff of volunteers has continued to learn as the festival progresses. He will continue to grow as he follows his own advice to listen and respond to the wants and needs of his audience. The grounds are laid out to permit plenty of room for people to select seating while leaving room at the rear for those requiring shade to set up their own shade tents. The RVs for a U shaped corral allowing early arrivers to set up beside or in front of their rigs and watch or listen from a distance. A shade tent for seniors is provided. The Alburgh Fire Department provides food, including chicken barbecue, hot dogs, burgers, and so-on. They also cook breakfast. Other food venders offer ice cream, fancy coffee, and cotton candy. I missed having my fried dough (Once a festival, whether I need it or not!) but didn’t miss the smell of hot grease. All told, the grounds were well managed, roomy, and attractive.

I’ve written quite a bit recently about the strength of local and regional bands. This festival, in addition to headlining The Gibson Brothers, who once were a local band, offered a whole afternoon and early evening of local and regional talent before bringing on The Gibsons and Doyle Lawson & Quicksilver for four back-to-back sets ending at midnight. I generally prefer seeing the headliners first in the late afternoon and then having them come back for a set at night, but Steve Palmer was persuasive in saying that the excitement and immediacy of night-time performances as well as the opportunity for more people to show up trump balancing the schedule.

When we arrived the fiddle contest was in progress. The senior division was won by Harry Ralph, Jr. who also played fiddle for The Cabin Fever Band. The fiddle contest was interesting due to the various categories offered and the range of skills. The banjo contest was won by Fred Warner. Bob Degree and the Bluegrass Storm with a solid set. Degree has a good voice and his mandolin player both sings and plays well. Adam Dewey and Crazy Creek followed. Dewey is a solid Monroe style mandolin player with a good voice. He is complemented by Rich Stillman on banjo, a fixture in the New England bluegrass scene. Rich, who played with two bands, participated in two workshops, and stopped to talk about his Kell-Kroyden banjo with anyone who showed an interest, was a constant whirlwind at Arlburg. Adding to the high quality of this band is the very fine fiddle work of young (21) Luke Price who comes from Salt Lake City and is a student at Berklee School of Music in Boston. Joe Singleton on guitar adds a fine tenor voice and strong rhythm guitar (Look for his wife’s photos on flickr where she posts from bluegrass festivals as well as putting up her own art photos.)

Southern Rail followed with their customary mix of southern bluegrass, gospel, and folk influenced work. Jim Muller and his wife Sharon Horovitz provide most of the vocal strength, although all four members sing. Bob Sachs on mandolin and vocals arrives for this Boston-based band’s shows from his home in Charleston, SC. Rich Stillman is a welcome addition with his crisp and technical banjo work. This is a fine band which has deep roots in southern bluegrass while having a New England cast to its work. The Mad Mountain Scramblers were not my favorite band at Lake Champlain, but they did a creditable job on several Peter Rowan covers. The Cabin Fever Band (careful here, there’s also a Bay area band of the same name.) is a is a lively group from central New York, which features traditional bluegrass. Leader Mike Tirella is happily recovering from a heart attack and playing lead guitar. Brian Jiguerre, remembered by many for his years with Smokey Greene sings wonderfully and Harry Ralph, Jr has quite a career ahead of him as a fiddler if he goes for it. James Reams & the Barnstormers followed with a strong set as well as doing a jamming workshop. Yonderhill, from Montreal, impressed with their harmonies as well as the unusual clawhammer banjo work of Teri Joe Rodriguez. While all this sounds like a long afternoon of little known bands, it stands as testimony to the depth of quality music available to New Englanders from their home grown product. Lots of good stuff!

Doyle Lawson’s band Quicksilver is very much in transition these days. Joey Cox has been them for about five weeks on banjo after stints with Blueridge and the Kenny and Amanda Smith band. Alan Johnson, a fine fiddler joined the band back in April after the breakup of Blueridge. His excellent fiddling and resonant bass voice has been well integrated into the band since we last saw them at Merlefest in late April. Carl White on bass will be picking up some of the humor role being lost by the Jamie Dailey’s leaving to form his own band. Because of Lawson’s well-known exacting standards, the band will continue to offer the high quality of performance fans expect. One member of the band said to me, “Four years with Doyle is like getting a Ph.D. in bluegrass and gospel music.” Darren Beachley has moved from bass to rhythm guitar where he provides extremely solid work and a strong voice. The trio remained very tight as Jamie moved to the rear, befitting his eminent exit, during their second set. When Johnson adds his bass voice to the gospel quartet, chills run down your spine.


The Gibson Brothers added two more sets to their record of lighting up bluegrass festivals in New England and New York. Fortunately, the past two or three years have seen their audience widen as they’ve appeared at Winterfest in Yakima, the festival in Argyle, TX and High Mountain Hay Fever in Colorado within the past year. This winter they will be seen at YeeHaw Junction and Palatka in Florida. Their increasing national profile has been helped by lots of satellite radio play, interviews on XM radio, and three number one albums. Not a bad record for a pair of brothers hailing from just south of the Canadian border. In addition to performing two sets, Eric Gibson did a banjo workshop as well as working with brother Leigh to do a song-writing workshop. All this in addition to graciously meeting the hundreds of fans who came to Alburg for their performances is part of what makes them so popular. Beyond their personalities, their musical excellence and distinctive sound always work in their favor. Rick Hayes, playing his own design mandolin contributed his usual solid mandolin play as well as his patented smile, which somehow makes others smile, too. Mike Barber, as always, was strong on the mandolin. This Saturday I particularly was aware of the wonderful contribution Clayton Campbell makes on fiddle, his soaring breaks and strong backup contribute mightily to this rising band. Clayton is also a long-time performer with the Kentucky Opry, where he has performed since he was seven years old. This is a band not to be missed if they perform in your area.

We arrived home tired and happy at about 2:00 AM. I had originally not thought I wanted to go to this festival, but it turns out to have been more than worthwhile, and we’ll surely be there next year.

Dancer

Mike Tirella of Cabin Fever


Luke Price of Crazy Creek